![]() The song bears Lewis’ unmistakable fingerprints, a rich live-band/DJ hybrid arrangement topped off with triumphal brass. ![]() Released yesterday as a free download, it marks Macklemore & Ryan Lewis’ first new music since 2012’s star-making The Heist, and it suggests the formula that launched them into the pop stratosphere is still firing on all cylinders. What will probably not win Macklemore respect from his haters is “Growing Up (Sloane’s Song),” the track he wrote for his new baby daughter, Sloane Ava Simone Haggerty. It’s a good read, and it might win some begrudging respect from those who’ve made a sport out of scoffing at “the first rapper to successfully dominate the commercial sphere by speaking from a purely white gaze.” “serious” songs), and the way they’re trying to keep their operation grassroots now that they’re global superstars. Regarding “White Privilege 2,” a new anti-racism song he’s been workshopping, he poses the question, “How do I participate in this conversation in a way that I’m not preaching, where I’m not appearing like I know it all? ‘Cause I don’t know it all.” Writer Kris Ex also offers closer looks at Ryan Lewis’ in-depth production style, the duo’s perspective on constructing an album (it involves a carefully plotted ratio of “fun” songs vs. ![]() It also reveals that three years of blowback about appropriation, moralism, and that whole Grammy ordeal have made the Seattle rapper keenly aware of his place in the universe. The feature details how Ben Haggerty’s rapid rise to fame toppled him back into drug addiction and how learning he would be a father spurred him to kick pills and weed by returning to 12-step meetings. If you want to approach Macklemore as a human being and not a sanctimonious rap-Muppet bent on world domination via free love and cheap clothing, Complex’s recent cover story is a good place to start. ![]()
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